Archive for the 'Infinite space' Category



254. Inviting beauty to look at pain

p1000407

As you see

The areas overlap

And struggle with each other

For control of the same space

And what if they knew

That the same space

Is open and given to every one of them

With no limitations

All with love and joy and acceptance

Be they as they want to be

And the radiating hurt

Is like roots

Trying to hold on

With fingernails

To a piece of ground with no water

Or food

Bt they can change their experience

And feel blessed

In being able to dance that dance

And infinite number of others

For all eternity

With nothing to loose

Nothing to gain

Just joy.

253.About the stones

p1000399

The big stones

That were uprooted

That were torn away

From their heavy comfort

The loose stones

That everybody fears

Know already

Even as they slowly turn

And are about to fall

With a thump

The peace

That will be here next.

p1000400

The tree and the stones

Are closer to my eyes

That are in the body

My imagination

Takes flight

Disconnecting from the body

And the earth

The flight takes place in inner space

Which fills up with joy

And this is what

Creates the drawing.

p1000402

Arising from the plain

Stones and dust

Become stars

Where am I going?

Why am I tearing myself

Apart

Which is impossible

Anyway?

252. Self-love

p1000396

I thought these lines would be the skeleton, to which I’d add pencil lines of many details. But it looked finished and full of mystery.

If I saw a big painting like this in a museum, I’d be very enthusiastic. I’d stop, breathless, right there and take a picture, write the painter’s name, add the date..

Then I’d look him/her up in Google and probably see more samples of his/her work. Then I’d know that he/she is a favorite of mine. I’d follow him/her from that time on.

Maybe I’d meet with him/her one day and he/she would laugh, because he/she is in me always.

And I had to go to the museum and search in Google, for what has forever lived in me.

Or maybe I have lived in it?

251. This too will be

p1000395

You can probably tell

From my vibes

I see the reality in my dream

Collapsing

And there is something interesting

About the space that opens

Maybe you can see that too

It feels alive

Maybe more alive than it usually was

It almost has a face

And you can feel it

You can almost touch it

With your finger

Will it laugh when you do?

It may laugh

And you will recognize yourself in it

Even though

It is me

And if all that will be left

After everything else had gone

Are these three little birds on a line

This too will be

An expression of love.

250.From a moon’s eye

p1000387

My father lived at the top

On the right

This is after he died

I came to live on the rocks

Where you can see the lake

I sit on a bench

The evening comes like love

I let myself feel the evening

On my skin

Trees and stones look with me

Quietly

With not even one thought

In them

The moon, an adventurer,

Will come soon

To fly over the Galilee

Sharp rocks and all

I wonder if the roads can melt

The sky – yawn

Me – sing in a few voices

My higher self is resting too

No matter what he does

His language does not understand

The war

The sharp

The past

The will be

Deep in peace

He folds a sweater

249. Who?

p1000383

Which direction do you grow?

To where the joy will take me.

What do you hold on to?

Nothing.

And who is looking at you?

I alone look at me.

There is nobody else

Anywhere.

246. I just stopped

p1000378

I just stopped at some point

There was no point in going on

The message was in how it could go on

Forever.

245.From dense to airy

p1000377

I’m reading this picture, based on its composition. This will be a preliminary reading. I’ll point out a few obvious things and see what I can gather from this. It is possible to read much more in the picture, and maybe I’ll do this in the next entry.

It has two layers, as many of my paintings lately. The drawing layer has three areas. The right side has many architectural shapes. It is organized in mostly perpendicular and horizontal directions, with a few diagonals, that you can find in architecture too.

The left side has shapes that are more organic. The shapes are free from the straight angles of the right side and they grow into each other. The third area is where there is no drawing, or only little short lines that seem to float in space. That’s where there is less density and more freedom.

The pencil lines, those that define the colored areas, go on top of the watercolor lines. In this way they create some confusion, because the colors inside of the pencil lines are all underneath the ochre lines of the drawing. This contradictory message creates a strong connection of the background shapes and the drawing, indicating that the two layers are very close to each other and depend on each other to tell the story of the picture. And it is hard to decide what is more important or primary.

The color shapes in the right side go along with the feeling of architecture or a city. The color shapes on the left go along with the feeling of an organic shape, something that is alive and moving. It is like a person in a sitting position. His two hands are extended to the far left, and it seems that he is doing something outside of the picture.

And there is indeed space around the person and the part of the city that we see. Some smaller shapes float there, breaking the density of the city and the man and giving the picture some places with less tension to rest in.

So the focus of the man is in the more spacious area. That’s what he is interested in.

Basically we have a transition from an area that is densely full of visual events, through more relaxed shapes, that break the straight lines rule, to the beginning of space, into which the smaller pieces of the reality that’s on the right are falling or spreading.

In a shorter way, the picture shows the shift from eventful and intense reality to more peacefulness and freedom.

This is an experience of the now-life that we can read in the basic features of the composition.

If I ask myself where would I want to be, in this picture, the answer is “In all three places.”

I’d like to experience the peace that is outside of the objects, I’d like to experience the richness of the city, and I’d like to experience my body, alive and feeling.

And as I have all three of them at the same time, I can say that I am fulfilled. In this fulfillment there is peace too, till the next interest will catch me.

Isn’t this amazing that from so little you can say so much already?

I do not know what name to give this new chapter. Everything is different for me, and the same. I decide to let the chapter grow and deserve a name, and then it will have it.

243. (re)Discovering

p1000350

Discovering who you are is the main issue of life on earth.

You can find yourself in many ways and in many places and things. Actually, in every thing.

The best way is through doing what you love to do and taking this way as a trip to the depth of who you are.

You will change along the way, and maybe what you love doing more than anything else will change too. You have to always choose to do what you most love at the moment.

You will start finding yourself in small steps or maybe big. And every time you find yourself, you will feel satisfied. Finding yourself is the source of satisfaction. I want to say the only source, but I’m not sure yet. All this knowledge comes to me as a surprise, and at the same time as something that I have known before.

After the satisfaction periods you will start being curious again, and you will again use doing what you most love at that time to move on towards the depths of yourself.

All of the trip happens between you and eternity, which is you too.

 

238. A story about idealism and reality

I was born in Israel and my parents were idealistic pioneers. They built Israel from nothing, with all the others there of course. They wanted social justice, a place to live and grow their food, a place where they could have a country and a piece of land and they wanted their children to be born in a country with a house and a field. I drank idealism with my mother’s milk. (This was long ago. Now it is a bit more complicated there.)

I was an artist from young age. I went to study graphic design. In Graphic Design you make art that is used immediately. Then I was an illustrator. As an illustrator you illustrate children’s books, for children to grow up with good stories, with knowledge and love of the world about them, with a good taste in art, as it makes for a better life. And you illustrate for adults so that they will think in a different way and they will laugh…

Then I got involved with Buddhist meditation, and the idea was to know what I am, so that I’ll live my true life.

And indeed, once you start to know something you start teaching. What can be more important than helping others know what they are, so that their lives will be good, and truthful? And that they will be good people, help each other and create a wonderful world for all of us, and our offspring…

Then I went to study art therapy, so I would be able to help people get rid of what held them back from being what they were. To show them how to become free of inhibiting ideas and thrive, so that they can live happily and lovingly etc.

And I did all these. I was idealistic and practical.

Then I started to know that every one of us has his own world, created by his own consciousness. We do not live in the same world. Our worlds meet with each other and it looks as if it is one world, but it is not so.

You can’t create a meaningful change in any part of the reality that is around you in your world. If you want this reality to change, you have to change yourself. The new thoughts and beliefs that you will have will bring to you everything that fits this new state of mind. So I cannot change or help change the people who come to do therapy with me. In one view, they are part of my outside world. I have to change myself, and as a result another version of that person will appear in my world, which will be a match to the way I have become. From another view, the patient is in another world, where he is the only one who can make changes in his world, by changing himself.

I always thought that we all lived in the same world. That there was one person in front of me, who suffered, and I helped him release the suffering and live a better life. But no.

And I thought that making art was a good thing for other people, to widen and deepen their experience, to give them the experience of beauty that will help them live a more beautiful life, with love, with collaboration, with understanding…

Now I felt there was no sense in doing anything. I always had a purpose for doing things and I missed it.

It felt like depression.

P1000273

Then I decided to ask August Moon about it.

August Moon is my inner guide. I have been connected with him for a while. He always answers. He is always there.

I asked and made a drawing, as I like to get the answers through the art. Sometimes I know through words, but if it is a big thing, I make art and read the answer in it. I just like it this way.

P1000277

And as soon as I started making the art, I knew the answer. The lines in the drawing spoke to me with the energy that is in them:

The reason to do anything, to do all that you want to do, is not that there is a need for it. You are not doing it for any idealistic purpose. You do it because it is your nature to be interested in doing things. It is your nature to love. It is your nature to be curious, playful, peaceful, capable and creative. This nature is what you are and it is expressed by what you do. So you do, just because you are a natural expresser of yourself.

So, you see? There is no outside reason for me to be happy. I am happiness.

And how can this be depressed?

 


Awards

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,525 other subscribers

My Pages

The healing process

Entries 1-58 show how I use the method of Intuition Through Art to heal myself from Peripheral Neuropathy.

Archives