Healing and growth through intuitive art
Riverside roads wind
The way the hills are covered with green
In the spring
Oh!
The rivers of the earth flow
The river roads wind
If you want to be in on all of this
Go to the tree that points in all directions
In the middle of the landscape
An interesting co-occurrence may unfold
Don’t mind the little blood that pours
You will be in touch with the old
You will remember the quarry with the back stones
And an ancient thought
Will show itself
To be dismissed
It is time for it to go.
Nature is crazy about you
The natural world is crazy about you
Your energy responds
By getting warm in places
The wooden deck is growing suns
And acting like a down quilt
I can’t describe in words
How nature loves
Forget the words
And you will know.
Microbes
In the middle is a package
With a secret
Of unknown consequences
All other things in this picture could be microbes
With a very elaborate social order
And rules of conduct
But in spite of that
They cannot contain their joy
For just being able to move their fingers
And toes
And they keep doing it
Secretly
But since all of them are doing it
They discover each other
In new ways
And through their joyous smiles
Become one
With no beginning
And end
Enfolding endless possibilities
Of love.
3:30 am.
If it hurts too much, I’ve learned to not let it go on. I get up and become more vertical to the earth for some time, I put an ointment on the skin and wait for the pain to subside.
I am very awake and it feels good.
What would you expect your painting to be like at a time like this?
So soft
So soft
Surprisingly
The inside moves in slower waves than the outside
It can all happen
You don’t have to change a thing
Just realize.
The cover of my book
Here is my book.
http://www.amazon.com/dp/1491062207
Every moment of creating it was a blessing to me.
Years of writing, arranging, creating descriptions of individual sessions, showing them to friends, presenting some in conferences, continuously developing my approach that you have glimpsed here on this blog, fashioning the approach to be more clear and simple, using it with people and on myself all the time, teaching it to other therapists, all these went into the book.
And because it all depended on my innate sense of beauty, it was always pleasant.
Then the book was shaped, edited thoroughly, designed very beautifully and published just this weekend.
At times it was hard to wait.
But here it is.
There are two versions, Paperback and Kindle.
The paper book has 172 full color pages, 82 color plates, several session descriptions with pictures and dialogue, a large section about the importance of intuition in everyone’s life, explained with pictures and text. Indeed it also has the teaching of how to make an intuitive painting and how to read it.
The Kindle version is free for five days, from Wednesday, Jan. 29 to Sunday, Feb. 2nd. It is in color too. (Amazon has free Kindle apps for every smart phone, tablet and computer.)
I’ll be thankful for any review in Amazon or elsewhere.
Love,
Giora
The old habits are transparent
Light takes the place of flesh
And we see
A light being
Love
Has made the change
The old body is bent
The old features slowly move
The habits
Have become
Transparent
An inside change
Is taking place
A new program is installed
The old stone foundation
Is fading out.
Mountains and valleys dance
The mountains have wings
Just here now they fly
They flow
The creek
And the banks
Dance
Rocks green and river
Go light
And up in the air
Fly to nowhere really
Just here now
Mountains
With little towns on top of them
Dance.
Here is another example of reading art. As it was in the previous entry, when you look at the drawing at first it seems as if it will be hard to tell something clear about it. But as I started describing what I see, the vision became clear. This is the fun in this game. The truth is always hiding in plain sight. And my blog has turned into straight forward reading of my art, based on the most straight-forward approach to understanding subconscious content through art. It is: simply describing what I see. As I describe what I see, the connection to my life appears. The art had to be done intuitively, to reflect so clearly what is going on in the subconscious. Any thinking-guided part of the art would have stopped the flow of the description and obscure the clarity. We would have to read the thought first and let it go in this way, so that the next drawing will flow better. It is a method. I am describing the method that I use in art therapy. Everything in this blog, right from the first entry has to do with how I work not only on myself but with others, to clear blockages to their inner flow and allow them to find out who they really are.
The layers of different focusses
It looks like a collection of creatures. They are very lively and have the sense of being absorbed in being who they are, as monkeys do, but without an awareness of it. They also seem to be agitated and about to jump at any moment. This is what animals do. They behave as who they are, without any hindrances, and they do not know who they are. It is a simple life.
They look like monkeys or cats or bugs.
There is the lower layer in purple and browns. Then there is an upper layer in green and light blue. And finally there are the two light orange creatures at the top of the picture.
You can see that the interest of the animals in the lowest layer is horizontal. They do not think about going up.
The interest of the green animal is in the process of changing. The animal stops going right, horizontally, and turns to look up. The blue lines that come out of it also turn in different directions.
The light orange critters at the top of the picture fly up into the sky, and you can see that they are fine with it. They are peaceful. They do not feel fear. You can say that they are enjoying the flight.
All these are different focuses of the animals and the critters. These focuses are available to every one of them, but they make a choice and focus in one way.
Other interesting elements in the drawing are the two places where there are the shapes in more intense orange. The one in the lower strata just creates an intense interest, presenting to the animals something intensely different. The one on the upper layer seems to be what has stopped the green animal from going to the right. It is sharp, and to avoid it the animal turned around.
All the orange shapes in the picture feel to me to be connected with what we call the spiritual pursuit, or seeking to know experientially who we are. At first it is something that feels different and provokes interest and wonder. Then it may be suffering of any sort that pushes us to change direction. And then comes the discovery of what was felt from the beginning, which is the sense of the true self, which shifts the focus away from the earthly bond.
Now looking at the beginning of this path again, the first animal, the one in purple, seems to be peaceful and in meditation. All of this happens in his mind. The not-knowing, the intense interest, the change of direction and finally the flight. All these happen on their own, without any effort. It is just the way things happen when you take your hands off them, and allow them to move. This is what I call healing.
This is what this art process does.
My book “Opening Intuitive Flow Through Artwork” will come out soon. It has the method in it and examples from my sessions with people.
An inner conflict
Obviously there is in this drawing something that grows. And also there is a relationship. The relationship is between two groups. The green and brown is one group and the yellow and ochre is the second group.
The yellow and the ochre are free from attachment to the ground. They are transparent and interpenetrating with everything else. They are light and there is a feeling about them of playfulness and curiosity.
It seems there is love between the two groups, a lot of love.
But it also seems that the green/brown group has some inner conflict.
The brown is stiffened. It almost does not have any flexibility. The green is very flexible, soft and responsive. Both of them, the green and the brown are attached to the ground.
While the brown is stiff and cannot move, the green is extending its arms to the right side, to embrace the yellow and ochre group, but at the same time it leans backward to the left. So you can see the inner conflict. And it is funny, you see? With such loving creatures coming to you with playfulness and joy, what is there to shrink from?
I am not going to go into more detail. It is up to you now, if you want to expand on this, for your own delight.
Somehow I lost the drive to read art. I mean to read my art. I still read others’. I feel resistance to reading mine. Maybe the reason is that I think: Well, what is the point? It does not mean much, since I am not attached to it. There is no reason why I’ll let this past thing interfere with what I want to do now. So why bother reading it? It looks beautiful anyway. Looked at from a deeper state, all the complications look beautiful, and this is enough to see.
Where does the beauty come from?
So what can I do with these artworks?
How can I continue my blog? After I stopped being interested in the contents of my past, it has become hard to add anything to the blog.
I had some very good, high feelings, that I described, and some less good feelings, but now, what am I to do with this blog?
Maybe this is the place to go up and up in vibrations? So this is a new beginning.
Life as a process
Let’s look at this last drawing now.
There are warm colors at the bottom and they gradually turn colder until it is blue, transparent and very soft. I think that the texture, in spite of the coldness of the color itself, gives some warmth, related to the sensitivity that is expressed. So it is coldness described very sensitively. Maybe aloofness? So you become very interested, being a sensitive person that you are.
There is a feeling that something is growing in the drawing. There is a wider base shape, almost like the leaves of a plant close to the earth. From this comes a stem and another stem in orange and from them some flower, leaf, or a canopy, develop. All these happen in the warmer area. Then of course, if you think of it as a plant or a flower, then you have to have the sky somewhere behind and above. But the sky is not just a flat color. Something is alive there. Shapes come out of shapes, right side and left side parts, describing something that is not so clear realistically. What is it?
A dream? Sleeping? Something in a sleeping bag? Clouds? A letter? and what letter is it? Yes, it is the G from my own name. I did not notice this when I made the drawing. Planning.. sleeping.. this is connected to that.. life.
A plant is growing, still with the original thought of: Be a plant, be intense or mild. The intense side remains undeveloped. It sends feelers to the left side, the milder, so see what is life like on that side. Of course, here you have the fear of opening up and being yourself completely, checking yourself against another. Then, many thought patterns develop and they will create this plant’s future, its new adventure, its expansion or its remaining limited and constrained.
Is there a separation between the physical and the mental? Between the simple program to grow (It is not simple really but not complicated by thoughts of and the complicated thought patters, to do this and that etc? Yes and no. How about this answer? You can see that this part is warm and that is cold. But where they touch, they melt into each other. The physical and the imagined melt into each other. They are connected, and there is a feeling of lingering there, where they touch. Is it attachment? I mean attachment from the Buddhist perspective, as of assigning importance to something and therefore holding on to something that otherwise would have just gone on and change into something else.
This melting into each other is true also for every step before this thinking occurs. The leaf melts into the stem. The stem melts into the flowering and the flowering melts into the imagination. What kind of being is that? Who is this? What a magical creature that is a process?
And the whole scene has a magical feel to it. Things happen in the dream world, softly, silently. Are they real? Who is telling the story here? Is it the stem? The canopy? Me? You? Who are you anyway? Are you evolving from my dream? Am I nothing else but your imagination process?
I am leaving you with many questions. Who needs an answer, when you have questions like these? It all keeps being created, flowing toward what seems to be up in this case. Maybe nothing really moves? Maybe it is all a thought in endlessness, which has never changed
intuitiveflow 