Archive for the 'Intuition' Category



219. The mirror spoke

Conflicted about direction

Which way to go?

Did a drawing this morning. This morning was a slow one. I woke up at four, drank tea with milk and stayed in bed, sitting with the backing of the couch’s pillow, and the meditation cushion supporting my head. I listened to Rupert Spira talking for a few minutes about how, after awakening, the allure of material, things, disappears. Then it was close to seven and I did everything of the mornings and ate. And here, at this table, I laid my head on my hands and rested again. It is amazing to me how tired I can be, that even after a good night sleep, which I did not have for so many years, I can be so tired still.

Now I have the new watercolor drawing in front of me and I think: Let’s see what is in it.

I can see density, as if it describes stones or packages that somehow got connected to each other in groups. Now we have a few clumps. The way the clumps relate to each other as a group of clumps, as a composition, gives a feeling of an effort. What is the effort? Maybe it is to stay together, while every one of them wants to go somewhere else. This is where the tension comes from.

There is one unfinished piece and it gives the effect of something that was left undone, unfinished. And maybe this effect creates another one, of something that happened in a haste. This whole group of clumps detached itself, or even better, tore itself away from something bigger and found itself free, but conflicted about where to go now. Now that they have freedom, what do they want to do with it?

And before, when I looked at the drawing and did not yet let the words come and tell me this story, the drawing looked like a stranger. How did it come here? What does it have to do with me?

And here we are now. The mirror spoke at last.

218. The knowledge that does not fit in the shape.

Inner sound

Hearing the sound

The knowledge that does not fit in the shape

Requires a mouth that is shut for now

The joy of expanding

Like children in a school break

Running out to the yard

Is like an eye that is open to the ocean

The face that will not be intact any more

Collapses because of an ear that hears the eternal sound

A hair that flies in the wind is left

From the static posture that breaks open.

212. Spots of light on the flow of life

movement infused with feeling good

Spots of light on the flow of life

These are nerves, and the flow of life. The dots are the mysterious spots of light on the flow of life.

If you take those lights away, the nerves will only follow their usual routines for habitual actions. But when you put the spots of happiness in, the nerves and the flow of life become happy too.

This is how the reading came to me.

This view is not scientific for sure. But it comes from being in a meditative state. It is dream-like and feels good. The process that I go through has brought me to a good state.

When we feel good, more unhappy habits float to the surface. They can’t survive in a happy environment. It is a chance to take care of them. This is why we go up and down.

211. Colorful in a gray way

Sadness, the origin of this sadness and its cleansing.

Variations on stagnation and release

This drawing (The one at the top) is full of people. All of them are suffering. Their hard lives left marks on them. They are thinking all the time, remembering the harsh, the longed-for, the yearnings. They are colorful in a grey way. Each of them is a story of unchanging, of stagnating, of holding on and not letting go.

Who are they?

Why did they come to visit me this night?

What shall I do with them?

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In the second drawing a woman who is also a girl appears, with a few house items. One of them is a baby’s play pan or bed. I know how we think, especially if we are therapists: There is something here about early childhood trauma, something about unhappy relationship between the baby and his mother. I don’t get excited any more by these story hints. The story is not so important as the release of its energy. Having done the drawing and having seen what is in it is enough for some releasing to have happened already.

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In the next morning I look at the page and feel that the page wants another drawing down there. In this drawing strange creatures come out from a pipe or a cylindrical container and run away. They look like bad energy. The container they have escaped from is left transparent and empty. (There is no bad energy, folks. We consider bad if it is against what we want.)

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Having not read the second drawing, does it mean that we do not really need the reading? Well yes. When we make art intuitively, the mere fact that intuition, which is a happy and flowing state, is the viewer of the unhappy beliefs, releases these beliefs (At least partially). There is an advantage to the reading though. The reading makes clear what happens in the subconscious. And when the reading shows that something was released, it is very convincing to the person whose process it is. Knowing that it has happened, that person will start to expect to be free of that belief, and this expectation creates his life to be without that hindering belief. But for me, who has done this process so many times, there is already the knowledge that a release has occurred. So I can do a shorter process. But in many cases I am still fascinated by the readings and continue to do them. They always bring more from the subconscious than what comes without them. This works specifically well if the reading is done intuitively too.

210.Forget about the preparations

Forget about the preparations.

The wind took everything away

There was a ladder ready to climb

There was a golden gate to open

Then the inner wind came running

Like a wild mythological animal

And took everything away with it

Come, we’re going

Forget about the preparations.

209. Traveling with my clients

I am leafing through blocks of mixed-media-paper that hold drawings and readings from between May 12th and today, May 25th.

It is amazing to find that all the drawings dealt with the same issue, and that there is a movement there. I was not aware of these as I drew and read every day. They say that if you try to heal yourself, you have a fool for a doctor. But it is not so if you use this method (and a few others). The seeing and understanding with the method are not of the ego-self. The ego-self can easily be fooled by the resisting subconscious. But when the viewing is done by a deeper state of us, deeper than thinking, this view includes the struggle and the resistance that the subconscious performs. It is this view, that makes it possible to see that the resistance is an old choice that may not be serving us any more and that we can now choose differently, if we so desire. The deeper state is a wise and loving state, because it leaves our free choice intact. It only shows us two things: what is going on in the subconscious, and how do we feel about our struggle state. Being in this deeper state that we entered through the process of drawing intuitively, we naturally tend to choose what makes us feel better. This is what guides the choice and this is what creates the movement.

I wrote about this before in this blog, in a slightly different way. I wrote that being in the viewer state we are in a happier mood than the mood of the struggle, and if we have more of the happier mood, the less happy state dissolves. That is true too and these are only different ways to speak about the same thing.

So my subconscious continues dealing with the same issue, and all the people who come to me for therapy during my focused attention on this subject, present different aspects of dealing with the same issue. If I want to help them resolve their aspects of the issue, I’ll have to resolve my aspect first (it can happen through my work with them, but not only).

This gets closer to the true meaning of therapy.

I decided to present some of the drawings and readings from these three books.

I’ll present each drawing in a separate entry, day after day, and it will take about two weeks.

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This is the first. There were many before. This is a part of the page. I decided to start from this as it is a view from outside in a way, and later the eyes go inwards, in the later drawings.

Then tears have made a lake

An old dream

An old dream

Standing in the water

It used to be

A joyful flying machine

With a golden heart

Now it is barren

The paint is peeling

The tears have made

A lake.

Then I asked my inner guide what to do. He said: Go live in it. Take one room and one window. Grow a plant. Play music. Create. Make a huge space in your heart for me, and thrive. Do only what you love.

207. Beyond thinking

The strong part and the weak part

The healthy part and the weak part

This drawing describes me exactly, as I am now. And it can show me the way to change this way that I am, into another one that I prefer, if I feel like it.

It still surprises me to see how well this method works in showing me to myself.

You can say that there are several parts in this drawing. But there is one part that is different from all the rest, so I separate the drawing now, for my purpose, into two parts: the big upper part and the smaller lower part.

The lower part includes the horizontal line in a grayish purple, two strange creatures on the left, a little anemic cloud on the right and even the lower part of both legs of what looks like a child, if you agree to see a child there, wearing green pants and having a brownish head and shoulders.

All these lower components are anemic, so to speak. They don’t have vibrant energy. I hope they will come out with the same effect in the web version of the photographed drawing.

Maybe it is possible to jump in our imagination a step or a continuity further, and to see that the healthy and vibrant bigger part is clearly the winner here, and since they are all connected, the health will spill over and change these anemic parts for the better.

And we can also think further and say that somehow, the lower parts did not get enough energy and they are failing to fulfill their part in the community of the body.

We could say so, and it would make sense, and we could then look for reasons for blocking the energy from flowing into the legs. Or since it is a degenerative disease, as the doctors say, that happens to the whole body, and only starts in the feet, maybe the lack of energy is to the parts that do things in the world, that walk on the earth and that give shape to worldly things. (The hands are the next in line.)

We could go on forever actually, because there will always be something missing from our conclusions and answers. We can never get a complete answer from dealing with the questions only through thinking. Thinking is the biggest limitation that we have as humans. I know that this is a shocking declaration and most people will oppose it. Thinking is our best instrument after all, but only as long as we do not know the bigger truth, which is, that we are not the body and even not our thoughts. We are a consciousness or whatever you want to call it, that is infinite, present in all things, everywhere, and this consciousness or beingness is creating the body and its thinking, to experience creation in a three dimensional world, and to experience being limited but eventually finding the way back to recognizing what we are. It is like sending a part of ourselves to an incredible adventure, in which that part is completely lost, but then, using clues that do not make sense at first, that part finds its way back home, into knowing who it is. That knowing does not happen through thinking. That knowing is not a logical answer to a logical question, but a state of being with wider horizons that are beyond thinking’s limits.

I think this is enough for one entry. This direction will continue in the next entry.

205. How can I feel better now?

You are those vibes

You are those vibes

You are swimming in the universe. You ask: How can I feel better now? You sense how the question changes everything in the universe. You gulp it in and swallow the universe completely. You feel how it becomes you. Now you are those vibes. Lick your lips. It was good.

Now, when you start feeling the itch, ask again: How can I feel better now?

2014 in review

The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

Here’s an excerpt:

A New York City subway train holds 1,200 people. This blog was viewed about 5,200 times in 2014. If it were a NYC subway train, it would take about 4 trips to carry that many people.

Click here to see the complete report.

203. Celebration with a worry

Celebration with a worry

Celebration with a worry

I started a face, scrambled of course. It started to have features of a bird and I continued making birds. Not so clear indeed. I did a cloud and a little piece of a plant. Then painted, a long process that lasted till the evening, with breaks of course.

I liked the way it looked, but it had some weakness when you looked at it the way it was supposed to stand.

Turned on its side, so that the right became the ground, it looked good, as if it showed a few people standing in a line. But I wanted it to look good the way I planned it. I added the warm, almost orange brown at the bottom and now it is finished. It looks like a one something, big and showing its muscles, or maybe two things, embracing, while something like a fish or a bird is escaping to the left and did not have time to get an inside color.

It is strange and hard to decipher. The feeling is of some celebration with a worry. This can be its name: Celebration with a worry.

The ground, having that “orangeness” to it, feels hot and dancing. Not stable. Maybe the dancers are trying to avoid standing in one place because it is too hot?

It feels as if the whole scene is passing quickly and will disappear soon.

So what is in it for me?

Yes, the ground is burning under my feet. There is some worry above my head. And I dance with whom? I am showing my hands’ muscles. And something escapes me. It seems like a good state to be in. See? It does not have to be something specific in order to shed light on my condition. Whatever it says, I place my name after it or before, with a colon.

It does not matter so much to me any more. In the bodies, in the ground, in the cloud, in the escaping fish and in us the onlookers, presence is there. And presence goes to unknown depths.


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The healing process

Entries 1-58 show how I use the method of Intuition Through Art to heal myself from Peripheral Neuropathy.

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