Posts Tagged 'home'

327. Birds and I

Birds can fly
They are not afraid of heights
A bough
Is a home for them
Sometimes they would fight
for a good one
Then they’d sleep
Almost standing
Birds start to sing
Even before the sun arrives
Birds are soft
And hard

And I
What is hard and what is soft
In me?
What am I afraid of?
What will my dreams be like
If I have to keep my balance
At night?
Will I sing
In the morning?

When I was very young, there were geckos on the screens of the windows in my room, hunting flies and moths. And beyond the screen birds were standing on the windowsills. Then they would fly to the trees that surrounded the house.
In the evenings many birds would fight for the good boughs, making a huge noise. Then they’d settle down and sleep, sitting on their folded legs that held on to the thin branches. They did not have homework to do. I loved their boldness as they peeked into my room, with the excitement of having just flown still alive in them.
Today, when I close my eyes and imagine what a good life is for me, I see myself flying above the landscape, almost like the birds, but I flap less with my hands. I just have to think forward and I fly. And when I settle on a bough, at the top of the tallest tree, I do not shout. There is nothing to fight for. The world comes to me.

287. Only light

New

There is

no shadow under the bed

in my new room

No shadow

beneath

the table.

Only light.

191. Dont worry, go with the energy

This is who we are

This is who we are

I am moved

Because it is beautiful for me

Meaning, Something from home

Love coming through

There is an external story

Of shapes doing

Like, maybe, a tree grows on a rock

Maybe it is turning into a monster

Doing strange things

But inside

In a one two three rhythm

We go from total darkness

To the blue sky

Or a lake

It is ancient

It has always been here

And we have been looking

The outside has muscles

The inside is a whispering light

Of love

This is how we are

And this is how everything comes to us

To see the dark of night

And the blue of the sky

This is how we are.

 

 

Author’s note:

 

Words float on energy

Like colorful mosaic stones

On the concrete

Of a wall

The wall holds everything

The concrete flows from floor to ceiling

The stones don’t have to hold the wall

That’s the way I write

Spontaneously

The words

Float in energy

The energy connects all

The words don’t have

To do the same job

That’s why

My text is skipping

Don’t worry

Go with the energy.

184. The final acceptance of everything

Beautiful despair

Beautiful despair

I am starting this project. The final acceptance of everything.

It will be like Dzogchen throutgh art.

And I start from this painting, which I did at night, around 1 am, with the experience of this strong and crazy pain that was sharper than the usual, to which I have gotten used already.

I prop the painting up against the basket with the pencils and brushes on my table and the light from above is good to it, emphasizing the texture of the canvas.

My general view is that there is the group of many colors, heavy on the upper right and after some space there is that brown branch, maybe falling away, overwhelmed by the weight of that group and even breaking down .

Then there are two penciled dry and sharp branches and something strange, also penciled on the upper left. And of course there are the shadows, the areas I painted with pencil.

What do these do to each other?

The big multi colored area seems to have a lot of sadness. All the shapes are sending fingers or hands to nowhere, searching for something they already know they won’t find. Presenting again and again the idea of I want but I know I can’t. This creates a very disquiet, nervous cloud. It is beautiful in its sadness. It becomes almost like a tapestry or a physical “thing” and it even has some shadows, to show that it is real, it is three dimensional, and you can touch it. These are thoughts becoming things. There are a few places where a few parts become messy, blending into each other uncontrollably, crying into each other.

The introduction of the penciled branches into this area introduces another distinction into the game, between more real and less real or maybe between soft and hard. The bareness of the penciled branches feels poor, hungry for love, hardened by hard life. It seems that the lower penciled branch supports the whole cloud on its back and keeps it from hitting the brown branch harder. That brown branch is losing in a way. It is falling down, broken, as if escaping the vengeance of the colorful cloud.

The only hope that this falling brown branch has is that it will find something good when it goes up along the left side of the painting, but the place it comes to is empty. There is only darkness there, a tear-drop and an empty shape.

So where is the power in this picture?

The power is in the observation, in the ability to see all of this so clearly with all of its complexity and simplicity. It is like a poem on despair.

In summary the picture says:

I’m searching. I know I’m not going to find. I am beautiful but sad. I am helped by dry and dead sticks, which are searching just like me. But they are already hardened by the experience of not finding and they do not even have hope. Some part of me is afraid of this despair. It is trying to escape, still hoping to find love and fulfillment, but we know already, looking at the picture, that there is none of these in it.

It is funny that what looks in superficial sight beautiful and maybe playful and colorful actually describes sadness and despair.

So was I desperate when I drew this?

No. I was shocked by the intensity and sharpness of the pain that made me jump out from bed and come here, to this table at night, I remember what I wanted to achieve. I wanted to disperse the confusion that I felt and the shock.

It did this to a degree. After that I slept.

The beauty was very important to me. Without feeling the beauty I would be dissatisfied and restless. What does it mean to me?

When a painting comes out beautiful (For me, as I experience it), I know I have connected to my larger aspect, the non physical part, the real, what we sometimes call “home”. Connecting with the real, all that is not real will start moving. Movement is life, is health, is hope, is everything good. This is the principle of all healing.

I have to give some background.

Everybody believes that what I have is a degenerative disease. People who have this don’t heal. They progressively (what an unfitting word) become more debilitated. Living in this environment, I totally believe that I am healing. Parts of my feet that were totally numb for maybe twenty years are hurting now. All through this healing process they kept hurting more and more. For everybody else this was a sign that things were getting worse. For me it is a sign that life is coming back to where it was blocked. I don’t know why I wanted my healing to hurt. But I know that like everything else, this too is a decision I made at some point. I spoke about this little kid a few entries ago and he may be the source of this idea.

When the pain became too hard for me to take, I looked for some medications and I thought about it as some aid to help me pass these last stages. I needed to sleep. But the medications started to have an effect on my alertness and sensitivity to the subtleties of my perceptions. This was too much for me to give up, and I let the medications go instead. My sharpness of sensitivity is back and I have to deal with the pain without the help of the meds. It will be through the acceptance of my response.


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The healing process

Entries 1-58 show how I use the method of Intuition Through Art to heal myself from Peripheral Neuropathy.

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