Posts Tagged 'joy'



236.The energy is left with no job

All the colors stand around me, in bottles, tubes and pencils. They are looking quietly at what I do. What will I say? They are my audience now.

I love them. They can do infinite things. They do not really look. I know. It is the whole who looks. The infinite listening-with-the-heart. The heart-of-listening. His name is I.

When the light of seeing is bright and strong, everything that is non-transparent burns into non-existence. Its energy is left with no job. It gives itself back to be used for creation.

The name of the creator is I too.

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It seems the light in the middle of the painting (the yellow and orange) is marred. It has been hit on the head.

Darkness (on the left) makes a threat. But the little child-who-flies is not afraid. He flies into the darkness to repair his past. He will find his love that he rejected in those old times. It is like the soul-retrieval that shamans do.

The goodness and the freedom-filled-joy, which is the lost part of him, will be found where it went to hide when it was not permitted to act in the world. It will be invited back and respected, loved, accepted, joined.

Again the lines tell the stories. The color shapes tell the emotions. The composition says that all is blessed, with all its tiniest details.

The white always looks with endless love and curiosity, with awe, with pride and marvel.

There is confusion there too, on the right, projecting a yes-no feeling.

Everything is okay.

 

The big yellow mother would like to say: Be careful!

But she knows that daring requires love and trust, and not carefulness. So she does not say a word. She admires her child.

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Yesterday in the morning I sat on the window seat and meditated. With all the lack of sleep that I collected, because of the pain, I fell asleep. I lost my balance and fell. I opened my eyes in the middle of the fall and saw the world turning around. But I was still asleep when my forehead hit the floor.

Then I woke up.

I felt fear and this conjured up memories from an event in my childhood, that now I saw more fully than before. Doors that were closed before, opened.

Fear cannot come if there is no story behind it. Falling cannot happen without a belief or a few beliefs that invite it. I know this is strange for some.

 

After some time I did this painting.

 

235. Take the inner world out

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There are the lines and there are the color shapes. They seem to describe the same thing but they have very different perspectives.

Sometimes, in other paintings, the lines and the shapes do not necessarily describe the shame thing. If we compare this to music, then those paintings are like counterpoint. The lines have a tune and the color shapes have a different tune. But when they are placed on top of each other, the music makes sense. The music becomes richer by the working together of different tunes.

This painting is more like a tune with chords. The chords accompany the tune that the lines make.

If we look at the lines, trying to see the character of the tune, in my opinion, it is hesitant, even afraid somewhat. It tries to describe something but we cannot identify what it is. In a way it is like what toddlers do sometimes, when they pretend to be writing words and sentences but they don’t yet know how to write. So the lines only looks as if they are describing shapes. There is humor in that.

Now if we look at the color shapes, they don’t seem to be worried at all. They seem to be happy. They come together to share an activity and while playing together they keep their independence and individual identities. They seem to be playful and enjoying the game that they play.

If we describe the music here, it may be something like this: on the background of freely moving pleasant chords, the tune is hesitant. Its parts hold on to each other as if they are afraid to fall apart. There is no sense of freedom in the tune. It seems to be working hard, trying to fulfill some duty or necessity. It is a bit ridiculous in its efforts to describe everything in detail while it is impossible to decipher what it describes.

The chords in this piece of music are strange. They are a mixture of pleasant and unpleasant feelings.

I actually like that kind of music.

But if this were the description of a person, what would you want to tell him?

Maybe it will be, to let go of some of the seriousness with which it takes the story line, and give some attention to the deeper layer of himself, where the playfulness, freedom and maybe even the beauty of life’s experiences can be felt. This layer is so close…

But the story won’t stop. And we are here for the story, aren’t we?

So maybe it is possible to take some of the character of the inner layers of who we are and bring it with us outside, when we create the lines of our stories. Maybe we will then make lines that are a bit freer and happier than before?

234. Segovia and the quiet spot

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Mooji showed up in front of me, when I was going through videos to enjoy but I moved on every time. Now I stopped and let him speak. He is like an old friend that I love deeply. So my heart opens. What will he say now?

In everything that he says and in the way he moves, I feel that-infinite-space attending, just like my own one right now. I realize that I came to like the taste of this state. It starts to be familiar.

And he says that when a troublesome event comes up and we have a shock, a fear, or we are being shockingly and fearfully agitated, the thing to do is to find the quiet spot that is always there too, and go into this, stay in this.

 

And this is what this reminds me of:

When both of Segovia’s parents died and he was left alone in his world, he was some six years old, or maybe less. He was very sad, and I am crying for this sadness now because I feel some of it. Somehow there was someone there who knew what to do. He or she put Segovia (little Andre) on the train with all his belongings and sent him to his grandfather in another city.

Grandpa took him from the station and brought him home. For Segovia this was a strange person who he did not know. Grandpa sat Segovia on a chair and sat himself on another chair facing Segovia and in his hands he had his guitar. Segovia did not play guitar yet.

Grandpa made a chord.

Segovia cried.

Grandpa made another cord.

Segovia cried more.

And so they went. Grandpa played chords and Segovia cried, until Segovia smiled.

This was his introduction to his grandpa. And this is what brought the guitar to his life. And it was also his introduction to that different love that comes with insight and cannot be broken.

You see? Whatever life brought, whatever emotional response he had, he went to this direct-no-story effect of the sounds and this became his quiet spot. Maybe at first he did not even perceive the sweetness of the chord. Eventually he fell in love with it.

 

Maybe you do not immediately feel the huge, deeply joyful, childishly curious, absolutely peaceful character of the inner peace. But with many visits it becomes inevitable that the taste will come through. And there will be a sweet love that has just awakened in your heart, that will take you there again and again and it will be your home, the only place where there is no contradiction whatsoever between you and the place. And with no contradiction, you are the place and the place is you. And so it goes for everything.

(As for the story about Segovia, I hope it is close enough to the truth. I heard it on public radio long ago. The details may have been somewhat different but the core is true.)

233. How the “I” moves to a wider view

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Being tired and in pain I became sad. Pain is a simple thing but living with it creates additional problems. Now all of them weighed on me. I thought: I can’t go on like this any more. I did not even paint yesterday and today.

My friend from Germany called. We started to talk and the phone line went dead.

I pulled a new piece of paper onto the table, dipped the brush into the water and into the first paint that my eyes saw in the watercolor box. It was olive green. This is how I choose the first color.

And then there was the drawing. No time. No pain. Brush, water, paint and the composition, the story with no words. The energy of the truth. Everything is good.

The olive green lines and the white of the paper are the best of friends. It is a holy connection. The lines, strikingly, appearing out of the white. The white does not have inside and outside. It is everywhere. It is all-there-is-everywhere. Even the word everywhere does not fit here. Is the green line real? And my eyes that see it: are they real? And my heart that has just become so full and so delighted, what about it?

(The other colors came later.)

 

Now in a different way:

Pain is part of the illusion of life, together with the body, with time, with good and bad.

The true self cannot have pain. Its essence is joy. Its essence is love and playing and being curious. The true self cannot be affected by the illusion.

For the “I” in the illusion pain is real and hard.

The good thing is that everything is connected. All I need to do is to change the way I focus and switch my identity to the true I.

Instead of focusing on the pain and automatically trying to escape it, to fight it, to prevent it, to change it, Instead of these, I find my curiosity and make the olive green lines. I find my playfulness and play with everything that shows itself. I look for the beauty in everything and find it easily. I look for my joy and it is right there. I am joyful. I look for my love and indeed what else do I have? This is how I start to identify with the true self.

And as I do this, I find that I have forgotten the pain. I don’t even feel it. Or if I do, it is not significant. I am in peace. The vibrations of the pain, the waves that streamed through the legs calm down. My hands that clutched one foot fall down, relaxed. The body rests. The energy of creation flows flawlessly everywhere it has to go. The body heals. The specific thinking processes that hold on to the body and its suffering become weaker. I am not so dependent on the body and the world around it. I witness them and I am free. In my mind I am already walking down to town, where the galleries are. I am going to see an exhibition. Right foot, left foot and I dance.

 

232. Come

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Be the light in you

Beyond the clouds of thinking

There are playgrounds

With no words

The sun will speak with you

Of being wild and transparent

Look

The sun has made a boot for you

And on the boot it wrote:

Come.

229. The blanket of words

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It looks to me at first that I have nothing to say. Then it comes to me that the balance is important. It is like a very complicated collection of so many different shapes and colors, and it all has to be in balance.

What do I mean by balance?

I mean that when you look at it you get a sense that in spite of its complexity, there is a guiding wisdom at work in it.  Some deep knowing is involved.

The impression (For me) is that all the shapes live in peace with each other and with everything that is in the picture. Every shape belongs to some group, based on sameness of color, shape, size, or other attributes, and it  may belongs to more than one group at the same time. Yet everything works together without conflicts. All the shapes and the groups do what they do within the same space. The may even overlap and mix. But they do not block each other.

There is an exercise that I used a lot in art therapy. Two people work together on the same artwork. They work in turns. Every one of them, instead of trying to support the other, makes sure of only one thing: That he or she keeps loyal to his/her own sense of beauty. When people work in this way, they come from a deeper place within themselves and they give their best contributions to the shared artwork. It is possible to live this way too.

Every individual truth (represented by one shape in the picture) is acted out with wholeness, and no individual truth is in contradiction to another inner truth.

This is possible only because the art-making is wordless. In our life as human beings there are oppositions indeed. These oppositions are only due to the stories that we tell, which are the way we interpret what happens to us. If you take the stories away from what happens, like lifting a blanket of words from something that lives a wordless life underneath, you discover a world of harmony.

So what is more real: The world of stories, or the world of experiences with no interpretation?

And which of these do you want to be in?

There is no right answer.

 

224.What really happens when we do not pay attention?

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In the foreground there is a gate and above it is the agitated activity of the lines that look like branches of a tree. When we come to the blue lines in the upper part, the character of the lines changes and becomes more like the movements of playing, wondering and inventing. See that?

The gate is closed, and some parts of it are broken, its color is light and there is no fence or a wall that the gate can open or close. It is only an idea that we cannot go in. In truth we can.

If we go in, we find strange, mysterious shapes that play together. They are trying to frighten us, maybe, but chuckle at the same time.

Both in the front parts and in the back parts, as we go up, we find more openness, more freedom and a suggestion of an infinite space.

In the front we have the more shallow aspects of life, the drama, the nervousness, the ideas of restriction. In the deeper part we find playfulness, joy and an interface with the endless.

Who is the protagonist in the picture?

Who invents the stories the dramas and the restrictions?

Who enjoys the game of the shapes inside?

222. Who won’t twitch their feet when they are tickled?

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Thoughts/things

Maybe it is strange, but these days nothing is more pleasant to me than sitting quietly somewhere and watching the interface with the quiet space that is always there, seeing how a few moving things in my mind calm down, feeling the body relaxing and staying there.

A person passes in the street on his bicycle and I feel this somewhere in my energy field, as if it happens there. I feel a stirring of a little, very pleasant excitement and then it goes away. I see it as if it is a thought.

The quiet space is alive. If I tune in to it, I know, thoughts like the one that is a person on a bicycle, are moving in it. There are stirrings like this in different depths. They all belong to something infinite that lives its inner life in this way, creating interest and feeling it.

I suddenly understand babies, twitching their feet when they get excited. They experience the stir in the infinite space when their wordless thoughts move. They feel as if it is a tickle. And who won’t twitch their feet when they are tickled?

 

221. The explosion

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One of us complained about a headache. It was the evening talk on a retreat. We all sat around our master. And it was way into the night. When he finished talking this friend raised his hand and complained.

Your headache is just a wandering thought, the master said.

I don’t remember what was spoken after that because this sentence hit me strongly. I would not be able to explain it, but I knew that this was true.

I also had a headache. I was exhausted from the intense concentration that I used in my meditation all through the day.

Soon after the conversation ended we meditated again. The sentence repeated itself in my head. It is true, I thought. The way my body feels is a wandering thought. And just like with every other wandering thought, I can let it go.

Then there was an explosion in my neck. The head was blown away. The throat remained torn to scraps. I saw this clearly as I was floating in the air behind myself. I was very peaceful and in wonder. There was no time.

Now I understand some of it. The pain is a result of a thought. This is clear. Everything that we experience is a result of thoughts that we believe. The experience is not always exactly as we anticipate, but it always matches our vibrational state.

My teacher and many other teachers never explained this. They prefer to leave things mysterious. Or they do not want to give us the knowledge to change our reality. They want us to transcend it.

When I started the blog I knew that the pain and the malfunctioning of the body came from thoughts. I knew that if I released the beliefs that created the malfunctioning, the fundamental belief that creates the body in its healthy state would take back the controls and the body would heal. This is the direction that I took and there is the evidence for it in the blog. But I am still with the malfunction and the pain. Many times lately I felt desperate, tired of the struggle. I wanted to give up. But I didn’t want to give up. I wanted to rest. If it would lead to the death of the body than let it be so.

My essence, the truth of who I am, cannot be harmed.

I think part of my struggle is because I do not want to lose the fight with the powers that, as I imagined, wanted to block me from developing. This struggle belongs to a non-existent figure. I can let it go now. I wrote about this kind of struggle and I can write again in another entry. The interest in finding the way to heal myself should, as I truly believe and as I teach my clients, come from curiosity, playfulness, love, peace and joy. Coming from these energies that are the natural energy of all of us, it cannot be a struggle. It can only be a joy. There should not be a difference between the true expression of who I am and healing. In other words this means that in order to heal we need to be in the energy of the truth of who we are.

So I allowed myself to enter with my boat into the river of who I am, throw the oars away and let the stream take me.

All that I wrote after the end of the healing descriptions (after #58) was about living in the downstream direction.

When the pain is great I loose sight of this sometimes and the old I appears. Maybe I can allow the pain to kill me, bend me down and break me apart? Maybe I can let the head explode and disappear. I can live without a head.

218. The knowledge that does not fit in the shape.

Inner sound

Hearing the sound

The knowledge that does not fit in the shape

Requires a mouth that is shut for now

The joy of expanding

Like children in a school break

Running out to the yard

Is like an eye that is open to the ocean

The face that will not be intact any more

Collapses because of an ear that hears the eternal sound

A hair that flies in the wind is left

From the static posture that breaks open.


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The healing process

Entries 1-58 show how I use the method of Intuition Through Art to heal myself from Peripheral Neuropathy.

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