Archive Page 28

125. Rain long gone

 

Creating timespace from infinity

Creating timespace from infinity

I am just a memory

Of what it was

To be a person

I am the potential for more too

But I forgot

There is a big reason to frown

My memories think

As I am creating timespace

Every day

Far from infinity

I don’t even remember

That I can make all worries extinct

Or look like a fluffy cloud

Of rain long gone.

124. Above the canopy

A tree reaching up

A tree reaching up

Above the blanket

Of green

Things become airy

Somewhere in the wilderness

A tree stands

In its raised hands

It holds you

And when you can see

Above the canopy

The mind goes to sleep

You know then

That it is beyond your control

To hold another world

In your thoughts

A tree

Reaching up in the mist

Turns very delicate

Too fast

Still remembering

How it came

From the rock.

123. The creator

Te creator baby

The creator baby

 

He came with

An uncanny talent

The discovery of which

Is connected to pain

He is

Bigger than me

Lovely and untouchable

Very close and very far

And he is

In me

He knows how to do things

Like a magical being

Like the operator behind the scene

He is

The ageless baby.

122. A soft dark secret

 

A late night drawing:

Soft dark secret

Soft dark secret

The morning words:

If you have

A soft dark secret

That’s how high you can get

Before it starts

Bleeding

Then you start

Coming close together

Out of fear

And even though

We provide a sky for you

You feel that it is limited

And pressured

And of course you hear a whisper

In the ear, saying

Dark secret…

Dark secret…

 

The words after the words:

All that comes after these words is an illusion of course.

The bleeding is a way for the energy to go.

It can only go down because the person feels that it is impossible to go up (the pressured sky). There is also the violet barrier at the top.

The left side wants to escape in another direction but is encumbered by the secret.

The fact that the same color is used for the dark secret and the barrier at the top means that the barrier is about the secret. It says: If this is what you did you don’t deserve to go higher than this.

I know I have to release this. But again, as it happened in the past, even though this is what I think, I do not feel like doing the release process. I have a feeling there is another way.

This was an illusion that I created and now I play suffering from it.

When people speak and do and the speaking and doing do not match, I believe in what they do.

When I think and feel and the thinking and feeling do not match, I believe in what I feel.

I speak with Int.

1. I want to be free.

2. How? What to do now?

And I do another drawing.

Shine

Shine

And the words come:

Let your pain and suffering

Come out as light

It is life on earth

It is part of being here

Open the storehouse

Of light

And shine

At first it will come out

With stones

And broken teeth

But then

Only light will flow.

This is the way.

 

And I said: OK.

121. Quite here but disappearing

Woken up around 3:30 at night, with the whole body trembling. I feel as if a different energy than my usual is entering my body. Maybe it is a dream and I am only half awake. I want to stay with it and allow the process to happen. After a while it is so uncomfortable that I get up and come to the studio. I turn on the light above the table.

I have been meditating a lot in bed at night. When the pain wakes me up I meditate. I connect with the feeling of “I.” I can experience how the body happens with all that happens in it. It is being manifested into being all the time. And I am watching everything. Then I fall asleep. The drawing is also about moving back and forth between the physical and the non physical.

Quite here but disappearing

Quite here but disappearing

Look

It is light blue outside now

Quite here but disappearing

And that’s the way it goes

The fruit that you are waiting for

Looks like leaves

But it is not

It is the body of the dream

In this cool air

Quite here

But disappearing.

120. What do I have to feel?

There is a lot of habitual readiness to continue living with pain, when your pain has been with you for years. There is even fear. How can I live without pain? What will my life be like? What was the protection that the pain gave me that now I will be without? There are many questions like this. But I do not want to go into them today. I have done it in the past. Today I am asking intuition: What do I have to feel, so that I can live without pain? How does life without pain look like, from feeling point of view?

And this is the answer in a drawing.

Bubbling

Bubbling

I am not even collecting words. The words are useful to discover stories and experience feelings. But this is feeling already. I am ready to feel it. In time it will create new stories that will fit this feeling.

I am hanging this drawing in a place where I can look at it a lot of times and every time I’ll see it, I’ll feel how I have to feel so that I can live without that old phenomena that I am letting go of now. I am moving from one illusion to another one that I choose now.

119. For your curiosity and joy

2AM. I feel irritation. I meditate in bed. The unrest goes and comes, goes and comes back. I know I have a better way.

When I collected words from the drawing and scrambled them, I scrambled really hard. Into the order that they fell into, I added a few words to connect the lines and it was done with no effort at all. For your curiosity and joy I gave color to the words that I added in order to connect the lines and make them communicate clearly.

Falling down

Falling down

The pain

Is trying to hold on

Asking

Where is Mommy?

Losing sense of direction

Feeling

Irritation

But

With everything else

It is now

Falling down

All things break apart

Feeling

Dry and dead

To enable

Growing.

118. Full of curious life force

I am going through changes and for some time I felt as if I was floating in space in some way, not feeling like doing anything, because it was not clear to me why to act at all. A whole old paradigm, so to speak, became obsolete and the new paradigm is unfolding still.

I did a lot of drawings during this process and won’t be able to show them all to you. I never was able to sow all that I was doing. I try to show the important ones. Some of the work included pretty intense release of old programs from the subconscious. Thinking about what I intended to do, I found myself afraid one day and started to draw, which lead me to feel wanting to grow but escaping, then there was a big self cancellation, then an experience of shock, then anger and more anger, and eventually good feeling. This was done in twelve drawings and quick writing, in one evening and the morning that came after it.

Then there was a shorter, four pictures version of the same thing, as it repeated itself like an echo.

Then these two:

For the first, five short poems came, instead of a single long one.

Curious

Curious

As they are looking for something they forgot

They are making a tapestry

Of happy swimming.

Tickling each other pleasantly

Telling each other they cannot find their goal

They are full of curious life force.

Laughing

Sliding bodies

With open eyes.

Filling up the space

Many fish are

Swimming nowhere

To the sun they come

From the depths

Of darkness.

Looking at the drawing now I feel I did not express something about the quality of the lines in the lower part. They seem to be rotting. There is a Zen book called Swampland Flowers, which is a collection of letters written by master Ta Hui to a student, about how to practice in everyday life. The name means to hint at the idea that the lotus flower, which represents enlightenment, cannot grow in the clean fresh air of the mountains. It has to grow in the swamps of the valleys, where it is hot, humid and dirty.

I see in it all the joy that arises from all of my self-work and the peace I feel about pleasant, light hearted touching.

The next drawing is from two days later.

Touching lightly

Touching lightly

Standing one behind the other

Curious and interested in experiencing

The parts that were banned

And what a blessing it is

There are many ways of saying no

But the yes is one

And always there, inside of all of them

As it is

Forever true.

Looking at the two drawings and words you can see how things work themselves quietly in the subconscious. The constant exposure to the flow of intuition, or maybe I can call it the flow of truth, gradually dissolves everything that is not true and leaves what is true untouched, as it can never be taken away. It was a surprise for me when this happened, because I did not work on it knowingly. This too shows something about the method of intuitive flow. You just do the work, following what comes up and there is a wise order of what is being tackled, happening on its own, guided by deeper knowledge. We could not arrive at this wise order through thinking and analyzing. Life, as it turns out, is much easier than your think.

I remember working with a person who came to me to get rid of his depression. We worked on whatever showed up. Sometimes it was possible to see that it was related to the depression, and sometimes it was other things. Dealing with all that just floated up to our knowledge, one thing after another, one day there was no depression there any more. And this is for life, as all the mental software that created the depression, all that tapestry of many small issues, dissolved and was not there any more.

117. The green that overgrows

Burning casuarinas

Burning casuarinas

 The red sun is painting the foliage at dusk

Intensifying play reality

The green that overgrows

In the village of my youth

Is the shadow

Of the villagers’ lives

Look! Look!

The truck that you hear

Struggling up the little hill

Will soon appear

Among the burning casuarinas.

 

You may ask yourself: What does this have to do with the work of this blog? Why would memories of youth belong in a process of emptying out everything, that creates conflicting thoughts, from the subconscious, so that more and more of the light of being will come through, and more energy will go to all the places that need to heal?

This process now is like a very long meditation. Or maybe it is very short. I don’t know how to define it in these terms. Time and again I look into my subconscious while being in an intuitive flow and whatever is there, that intuition decides to show me, starts floating into my reality through the painting and the writing process. The unknown becomes known, while at the same time being let go of. You can see that there are feelings that were provoked. I think mainly they are love and playfulness, with the wonder of a child.

These were the years when I installed a lot of programs in my subconscious. Then they disappeared from the conscious mind and continued to work without control in the subconscious. This is part of the human condition. So when these memories arise they also touch on other programs from that time, like: These are important people; They are big and know what is right and what is wrong; I somehow depend on them and have to listen to what they say; If what they say and think contradicts what I feel, I have to cancel what I feel and start believing in what they say instead. But when I look at these programs through love, wonder and playfulness, they lose their power, because, looking with love, I experience how these programs actually block love. That’s how the light works. And now, that they are much less powerful for me, the wonder surfaces. This is what we see, and it is part of this process.

For some reason this is what intuition brought to the surface now. Intuition is my guide. And intuition is my healer. It says: Look! Look! And then it says: I am here to just see and love. This is the process. I am deeply thankful to the wonderfulness of this process. I invite you all to learn it and use it.

I know what some of you will think: Where is the article, in one of those boring journals, that will prove with numbers and quotes that this is true at all? Who are you to invent new things? You have a rich imagination, Giora. But can you please give me some graphs and numbers?

What to do?

What do you say?

116. With not even a speck missed

In a dramatic night I walk barefoot at 2 AM from bed to desk to draw and write:

A scream in space

A scream in space

A scream

Is lost in endlessness

Is broken into a thousand pieces

Swirling in immaterial void

Unheard

 

And yet

Every single atom of its being

Is accepted

With utter dedication

To fully know

With not even a speck

Missed


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The healing process

Entries 1-58 show how I use the method of Intuition Through Art to heal myself from Peripheral Neuropathy.

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